Now have a gander at where it says “Midi Note” towards the top right. Go back to your FPC and click on the 1st pad. Now that we know where the sounds are going, it’s time to get them in there. I mostly only use 1 or 2, but the sky is truly the limit. On mine, there are 16 unique scenes and 16 samples per scene for a total of 256 unique samples that can be added in! This means whatever samples I drag in are in the first soundbank (or grid). In the padKONTROL, I’m going to hold the “Scene” button and then press the first pad. At times, clicking one and then clicking the other results in one closing and one staying open. This is a weird quirk about the program that can be frustrating. If they won’t both come up at the same time, exit FL Studio and open it back up. Remember when we dragged the sample from Edison into the Fruity Slicer? We’ll need both here side by side, dragging slices from the slicer into the FPC.īring up your step sequencer and click on the FL Slicer and FPC. This handy little tool works really well with any MIDI drum pad you may have, and today I’m going to walk you through the process with my own KORG padKONTROL.Īs mentioned in part I, the padKONTROL does take a bit of getting used to, but once you get the hang of it you’ll be off to the races in no time.
Now that we’ve chopped our sample up, it’s time to take it to the FPC!
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